I was reminded of this sad story when I saw images of remarkable paintings by Moroccan-born artist Hamid Kachmar, on view at Boston University's Sherman Gallery. Here's a passage from the gallery's description of the show:
In Reviving the Ancient Tifinagh Script, Kachmar renders the ancient Amazigh script, Tifinagh, into textual and visual compositions that represent a struggle for identity, cultural survival, and self-conception. For centuries, the Tifinagh script has been politically suppressed; painted out of Amazigh people’s collective consciousness. For Hamid and many other cultural activists of his generation, Tifinagh represents not just the ancient script of a still widely spoken indigenous language, but also a symbol of the struggle for cultural survival.
a painting by Hamid Kachmar |
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