Sunday, June 25, 2017

After Sinclair Lewis

Some time ago, painter Matthew Sepielli mentioned the Temporary Allegiance project at UIC (started by Philip von Zweck) and it has stuck with me for a while.

Now that the exhibit project is suspended, I finally have followed through on an idea. The banner is 4x6 feet and digitally printed on nylon (I had them made by Humphry's Flag Company in Old City Philadelphia, whose store is right across the street from Betsy Ross's House). The text reads:

When Fascism comes to America, it will be wrapped in the flag and carrying a cross

I am planning to offer a limited edition of them...





Wednesday, May 10, 2017

Concordances, continued


Some years ago I was at LACMA looking at some amazing examples of Kuba cloth they have...(here is what turns up in their collection search). There was one (not like any of those...sorry) that completely mesmerized me....it was something like this:


So I was superinterested when I came across a tweet (which may have appeared on the feed of poet Christian Bok, which is a fountain of interesting stuff....) about generating Hamiltonian cycles in rectangular grid graphs. I didn't even know such things existed, but I was delighted by the images provided by the blogger, Pascal Sommer:
















I hope try this one out soon...

Friday, February 24, 2017

Sunday, February 19, 2017

More repair

"For many, replacing a broken object with something new is often the faster and cheaper alternative to fixing it, but a group of neighbors in the small borough of Willimantic, Connecticut, decided it didn’t have to be that way. Three years ago, they started a program to keep salvageable goods from landfills by harnessing the community’s collective skills to fix them"

The article is here, with photos...

Friday, January 13, 2017

More mending

Another post on mending...this one from the Cooper Hewitt...so cool.


Tuesday, October 18, 2016

Extreme Mending

Superpsyched to see this post from the Cooper Hewitt museum



Brown, Susan. "Extreme Mending." Cooperhewitt.org. 6 Nov 2012; 17 Oct 2016. http://www.cooperhewitt.org/2012/11/06/extreme-mending/

Sunday, September 18, 2016

Language of flowers

I've talked with many artists about the language of flowers, but it never occurred to me to look for a dictionary. Until now. And, thanks to Temple Univeristy Library, here are a few...

de la Tour, Charlotte. Le langage des fleur. Paris: Garnier Freres, 1858. (French, illustrated)

Dumont, Henrietta. The Language of Flowers. The floral offering: a token of affection and esteem comprising the language and poetry of flowers. With coloured illustrations from original drawings. Philadelphia: H.C. Peck & Theo Bliss, 1852.

Ingram, John H. Flora Symbolica; or The language and sentiment of flowers. London: F.W. Arne and co., 1869. (link)

Wirt, Elizabeth Washington Gamble. Flora's Dictionary By A Lady. Baltimore: Fielding Lucas, Jr, 1832.

Sunday, July 17, 2016

Artists as correspondents...

I love letters. Writing them. Getting them. Don't do it enough, though.

Here are some stories about artists' letters...

Brooks, Katherine. "Sol Lewitt's advice to Eva Hesse is what every creative person needs to hear." The Huffington Post. 27 Oct 2015.

Also this:



Savig, Mary. "The Art of Handwriting" The Atlantic.com. 5 Jul 2016.


Thursday, July 14, 2016

Repair rights

Another one for the file on care and repair...this time addressing manufacturers' interests in keeping users from fixing their products...

Matchar, Emily. "The fight for the 'right to repair'. Smithsonian.com. 13 Jul 2016. 13 Jul 2016.


Sunday, June 26, 2016

Quote


“I think I became an artist because I realized I needed a field in which the construction of fictional authorities and imagined quotes would be a cause for celebration rather than […] disgrace” (14)
– Wm. Kentridge
Six Drawing Lessons

Thursday, June 09, 2016

Fixing books


When you start to notice something suddenly it's everywhere. Here's another piece on repair, this time on books, by Christopher Jobson from Colossal (The Ingenuity and Beauty of Creative Parchment Repair in Medieval Books, Nov 7 2014; 10 Jun 2016.)  A quick peek at the Erik Kwakkel's blog about medieval manuscripts suggests theres' more to learn there...

Wednesday, June 08, 2016

And it is inching toward reality...

The wind has been crazy the last couple of days! Trying to get a good shot for the catalog is challenging...

More maintenance

I didn't love Interstellar, but it did strike a chord with me.

The film's long set-up describes a world where no chances can be taken because society can no longer afford them. Being part of a generation that was too late for the babyboomers' party and always knew it would be in charge of the clean up, I saw something painfully familiar in the story where characters were encouraged to go into farming and discouraged from breaking new ground through exploration.

Maybe that's what has me following all this stuff on maintenance and repair (which I've tagged this and other recent posts with). If you Google images of 'maintenance' you get hundreds of faceless drones like those below> they generally hold hand tools, but some of them have wrenches and computer keyboards, implying that a wrench is used to keep a computer up. Clearly, the world is screwed.

What you find when you look for 'maintenance' online...
Either way, I had the same sort of grim recognition when I read Laura Bliss' essay in the Atlantic's 'Citylab' ("How 'Maintainers,' not 'Innovators,' Make the World Turn", April 16, 2016). So I wanted to add it to this list...

At some point we'll get to how all this fits together. For now...there's a clean up on aisle three...

Monday, June 06, 2016

This might be going too far....


Mitchell, Nancy. "Broken is Beautiful: The Japanese Tradition That Makes Broken Things Even Better than Brand New". Apartment Therapy. 19 May 2016. 6 Jun 2016. http://www.apartmenttherapy.com/broken-is-beautiful-kintsugi-makes-broken-things-even-better-231069?crlt.pid=camp.pEvil9o3aFse

Article identifies the practice as kintsugi.

Sunday, June 05, 2016

More on Mending


Wanted to add this piece by Felicia x on Visible Mending to the list of things on repair I've put here...will have to go back and make a tag for them now...

Sunday, May 08, 2016

Latest versions...


It was a pretty spring day, so I thought we'd see how that looks...

Friday, March 25, 2016

Progress

A passage from Tisdale's "Three Years Behind the Guns" (part 1)

A passage from Tisdale's "Three Years Behind the Guns" (part 2)

Working on patterns as backgrounds for the banners...



Tisdale's book tells about his experiences serving on the Olympia. I've been mining it (and other period writing) for text to encode on the banners...

Sunday, March 20, 2016

Friday, March 18, 2016

Wednesday, March 16, 2016

Bullhorn politics

So for some time I've been compiling research on how racist groups communicate their messages in the public sphere. I've spent a lot of time on the SPLC website, on the ADL site, and even a few hate groups I have tracked down. My assumption - valid until this election cycle - was that publicly displaying one's racism was a risk to these people, and that the symbols they used to telegraph their views was an essential adaptation to a world with which they are out of step.

Boy. Am I an idiot.

This has been driven home as candidates on the right have abandoned the dogwhistle for the megaphone. There are a thousand regrettable examples, but I want to just looks at this one for a minute. I don't know journalist Tom Cahill's work at all, or follow usuncut.com, but I appreciate his eye. In a story that ran on March 17, 2016, (picked up by Gawker...I know, I'm still in the depths here, but that's where this stuff happens some times) Cahill pointed out that PBS Newshour ran a story on Trump's popularity in the south on March 15 in which they spoke to (and photographed) a person named Grace Tilly and members of her family. Cahill (and others) observed that Tilly  had some prominent tattoos - one of a Celtic cross and another of the number 88. In certain contexts these signs are associated with white supremacist groups. Tilly, according to PBS, denies any white supremacist or Neo-Nazi allegiances and claims, "are connected to her family’s Celtic religious beliefs".

Is this some form of plausible deniability? I think it's hard to imagine - based on the data in the story - that the Tilly family represents a model for racial tolerance in 21st century America. Another member of the Tilly family interviewed in the piece, Pete, complains about, "all these protesters and all this stuff, and people saying [Trump is] racist" and specifically goes on to mention Black Lives Matter, before performing the signature move of racists everywhere and denying the value of race as a subject. Ms. Tilly's claim about her Celtic ancestry may or may not be true, but it tracks terribly close to the going mantra of 'heritage not hate' behind which hate now tends to hid.

So what we have here is someone who waves the (coded) flag and, when confronted on it, refuses to take responsibility for the message that's being sent. (I have considered the possibility that Ms. Tilly went to get tattoos that would celebrate her cultural identity that she thought had no meaning other than the one she intended. That is a very remote possibility given the popularity of number codes like 88...which, so far as my research has gone, has nothing to do with Celtic myth and are widely known among tattoo artists).

And this is a parent who kept her 11 year old home from school, "so that he can see democracy in action."

Grace, for the love of God, let your kid go to school. Don't do us any more favors. Please.