Hanne Darboven wrote by hand, copied different kind of texts by transferring them into her own handwriting. Only in few cases would she have them copied by someone else with a typewriter. This personal aspect of her art-making is reminiscent of the practice of monks in the Middle Ages, copying the texts of the Bible day after day, writing the codex, and this is rather a contrast to the idea of the depersonalized primary structures of the prefabricated or mechanically created, mainly geometrical forms, being used by the Conceptual and especially the Minimal artists of the time. Darboven chose the medium of the book as the classical medium of knowledge of the early modernism, constructing a personal reading of history and time. She practiced cutting fragments of encyclopedias, literature and later of articles out of magazines and newspapers, transferring them into her own handwriting and combining them to form a new text, a privately hand written ‘cultural history’.
Schoofs, Miriam. "Hanne Darboven: I inscribe by I describe nothing". Flash Art. Jan -Feb 2013, p.
